Our expertise
Our team shapes the image at every step, taking advantage on Spline's extensive knowledge of the set and how decision-making can impact the post-production process. VFX artists that work with one shared approach, targeted expertise, and a knack for all things creative.
VFX are won as much in prep as in post. Our VFX Supervisors are involved as early as pre-production: giving feedback on the 3D previsualization of the shots, setting markers, anticipating lighting conditions, asking the right questions, making sure assets take real conditions into account... That early presence eliminates costly fixes downstream, and keeps a clear line between the director's vision and what the VFX team can deliver.
Building a CGI assets means owning the full chain: modelling, rigging, animation, lookdev, dynamic simulation. Our artists work on characters that need to be integrated into live footage (with all the challenges that implies regarding light matching, compositing, interaction), as well as in fully generated or 3D sequences.
This is where it all comes together: merging live footage with virtual elements so a shot reads as one. Keying, roto, CGI integration, color matching... Our team works in Nuke across structured pipelines built to meet the standards of the final broadcast, or even cinema mix.
Removing a wire, erasing a rig, fixing a continuity error, correcting a surface: these invisible tweaks often determine whether a shot holds or breaks. At Spline, clean-up gets the same rigor as visible effects: professional work is just as defined by what you don't see.
We integrated AI tools across the pipeline: moodboard, mask generation, assisted roto, upscaling, denoising, material and environment creation. We also consistently try new AI tools to see how they could benefit our current workflows. This frees up significant time for artist to focus on what matters: the creative.
Use cases
