Andros

Be Nuts

A commercial for Andros directed by Blacktool, using our motion control, Livevis and in-house VFX to bring Nutsy, a furry 3D raccoon, to life alongside real actors.

Sectors:

Advertising

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Services:

Production Services

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Studio

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Production: SPLINE

Director: BLACKTOOL

Producer: Claire-Alix GOMEZ

Executive Producer: Romain BOURZEIX

Line Producer: Killian QUERRÉ

Director of Photography: Olivier GUERBOIS

1st Assistant Director: Matthias DELABARRE

1st Assistant Camera: Xavier DALAMALMAISON

Motion Control Operator: Nicolas TOUINT

Livevis Operator: Etienne DESBOIS

Sound Recordist: Paul BONNIN

Gaffer: Benjamin MASSET

Electrician: Benoit MORVAN

Electrician: Léo PETIT

Key Grip: Edwin BROYER

Grip: Emmanuel ASSENAT

Grip: Sayo BAPST

Production Manager: Allan PARRET

Set Manager: Tony GIRARDIN

Production Designer: Géraldine STIVET

1st Assistant Art Director: Bertrand LECLERC

Assistant Art Director: Frédéric DUBY

Food Stylist: Catherine MOREAU

Wardrobe Stylist: Christophe BELTRAME

On-Set Wardrobe Stylist: Lionel ALLOUCHE

Key Hair & Makeup Artist: Laura COLAS

Casting Director: Rachel DESMAREST

The Technician: Guillaume JACQUET

The Actor: Stephen SHAGOV

VFX Supervisor: Romain BOURZEIX

Character Designer: Pierre BLANCHON (Pibee)

Character Modeling: Jules CARON

Character Rigging: Téo FRANTZ

Lead 3D / Fur Artist: Pierre BERGER

Previs: Nicolas TOUINT

Animator: Garance GUILBERT

Lead Compositor: Adrien GARCIA

Senior Compositor: Jean-Luc PERRIN

Compositor: Nicolas GRESLAND

Ingest / Conform: Pablo MANGUIN

Assistant Editor: Esteban CHARPENET

Editor: BLACKTOOL

Colorist: Hugo ROSSELLO

Original Music: Damien TUFFAL

Sound Design & Mix: Nassim EL MOUNABBIH

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Making of :

Pablo MANGUIN

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What we delivered

Spline Solution

How do you get a 3D raccoon to share the screen with real actors, and make it look like he was there all along? For Andros Be Nuts, Spline handled the project end to end, from shoot to final VFX.On set, our motion control robot delivered precise, repeatable camera moves, while Livevis let Blacktool and the actors see Nutsy composited live in the frame, so every shot was framed, timed and played around him.Back in our studio, our VFX team took over: character design, modeling, rigging, fur and animation, all the way to compositing.