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DISNEY

Ambassadeurs | Ministère de l'éducation

Production Favorite Production
Director Matthias Jenny & Koya Kamura
DOP Romain Alama
Visual effects D-Seed

THE BRIEF

One sequence-shot turning around different kids in different places, with a moving crowd around them.

#Phantom VEO 4K #Motion control #Cleaning #Finishing #Grading

3D Previs

From the very beginning of the project, we created a 3D PreVis of how the directors wanted to frame and pace the film

previs 3d disney spline

PreVis was important for Spline’s team to be able to decide what tools and techniques would meet the artistic expectations. But it was also very important for the client to validate the concept and of course for the directors to project themselves in what their picture would look like.

3D TECHVIS

Since the Previs had been validated by everyone involved, we broke-down all artistic constraints to translate these into technical solutions, from motion control to visual effects.

3d techvis disney spline

After the recce on location, all measurements have been applied into a 3D scene of the Previs : the TechVis. From there, we got datas such as : mechanical timings, action timings, set dimensions, green screen sizes, required lightings, camera and lenses specs, and everything the crew needed to know for a smooth shooting schedule.

MOTION CONTROL & VFX

In this case, the motion control was used because of the following capacities : it is repeatable and it allows changes of speed for a same move.

D-Seed team worked closely with Spline to get the best out of the shooting, enabling fast and cost effective post-production.